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The new guy intro/equipment inquiry

January 6th, 2009 by jane
  • Hi there, been looking at this place for a minute so i decided to join..i want to take my pics to the next level so i need some advice on equipment. I am working with a Nikon F75 and would like to have some advice on scanners,filters,light and such.

    Whenever i go to these photo shops, i often got the feeling that dudes are out to rob me. IMO, nobody can tell whats best to use than those who really use the stuff. I want to shoot people primarily so what upgrade would you recommend? I wanted to get me some filters, a polarization filter first because having strong colors is one thing i couldnīt get together yet.

    However, i am open for any advice..


  • Can't speak from experience when it comes to Nikon, but in general I'd have to agree with everyone that primes are the way to go - especially a good 50mm. I started off with zoom lenses, but now use primes nearly all the time. In terms of filters, I'd recommend starting off with a standard skylight, a circular polarizer, and an 81a warming filter. IMHO you don't really need a huge range of filters.


  • If good color is your goal, experimenting with film choice is probably your best bet.


    What EXACTLY does experimenting with film choice do you mean? I have no idea what direction to look at on this one.

    Still, can someone say wich lens i should look at? Thereīs a manual and autofocus lens 50mm F1.8.


  • I got that standard lens that came with the camera..see sig below..


  • okok, let me rephrase that: what characteristics should i look after when looking at film and the developing lab?

    Ah! That's entirely up to you, really. It sounded like you wanted "strong colors", so you probably want to try out some high-saturation film to start.

    The other thing is, could i still go to a different lab with the same negatives, hoping to see a difference? If not, i probably couldnt get a good comparising..
    You might see a difference. There have been a lot threads here about choosing a lab, so you might want to try a search.


  • Hi :, )

    Consider using the Cokin filters, they make a very good polarizer :thumbup:

    I just went ontheir site, they got like 3 of them. Wich one did you mean?

    http://www.cokin.com/ico7-p2.html


  • okok, let me rephrase that: what characteristics should i look after when looking at film and the developing lab?

    The other thing is, could i still go to a different lab with the same negatives, hoping to see a difference? If not, i probably couldnt get a good comparising..


  • I would suggest a 50mm F1.8

    It will be quite cheap but much better optically than your kit lens. Also, the maximum aperture of F1.8 will be a delight because of the shallow DOF and the faster shutter speeds that you will be able to use.

    Any specific brand? Any specific shop that you know is reasonable(pricewise)? Iīm loking at this right here:

    http://cgi.ebay.com/Nikon-Series-E-50mm-f-1-8-Lens_W0QQitemZ7578328409QQcategoryZ48556QQrdZ1QQcm dZViewItem


  • I would suggest a 50mm F1.8

    It will be quite cheap but much better optically than your kit lens. Also, the maximum aperture of F1.8 will be a delight because of the shallow DOF and the faster shutter speeds that you will be able to use.


  • Oh, i just noticed that there is also a manual version of the 50mm F1.8. Wich one do you recommend?


  • I just went ontheir site, they got like 3 of them. Wich one did you mean?

    http://www.cokin.com/ico7-p2.html

    The ref 160 linear polarizer .... the 50mm is a great ense to have :thumbup:


  • I would suggest a 50mm F1.8I'd second that!


  • Hi :, )

    Consider using the Cokin filters, they make a very good polarizer :thumbup:


  • I'd second that!
    Third here. Er.. I guess sixth.

    For lighting, you can do a lot with available light and a few cheap props. Foam core makes a great reflector. If you want to make a big piece moveable, slice it in half an put tape along the cut only on one side. A translucent white shower curtain also makes a decent reflector and a good diffuser.

    For portraits, I don't use any filters at all. On the street, a polarizer can help with reflections. If good color is your goal, experimenting with film choice is probably your best bet.


  • i know that you sed no digi SLR but if you can do it go digital or get a film scaner. i use a DSLR and love it but i have herd good things about the nikon film scaners


  • ^ me too, i'd reccomend LEE filters as well


  • Film choice has a big impact on the kind of color you get. Some have a more subdued "natural" palette, while others are super-saturated a very bright. It can range from very little color "pop" to feeling like you are visiting Disney World. I would try and find examples of what different films look like. Unfortunately the lab you pick to print them can have an impact also.


  • What lenses are you using?

    Having the right lens can make all the difference.







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